The main topic sentence of “Sailing To Byzantium” by William Butler Yeats is the speaker’s desire to escape the limitations of his physical body and attain immortality through the creation of art. Here Sailing To Byzantium Bangla Summary is written by HonoursBd.

Sailing To Byzantium Summary in Bangla

কবিতার শুরুতে, কবি “That” সর্বনামটি ব্যবহার করে দেশকে নির্দেশ করেছেন এবং ইঙ্গিত করেছেন যে তিনি আর নিজের দেশে নেই এবং সম্ভবত এটিকে দূরে কোথাও থেকে দেখছেন। এটি থেকে বোঝা যায় যে তিনি বাইজেন্টিয়ামের দিকে যাত্রা শুরু করেছিলেন। সারা গ্রীষ্ম জুড়ে, পৃথিবীর বুকে বাদ্যযন্ত্রের ঝিলিক বয়ে যায়, কিন্তু কবি বলেছেন যে এই সঙ্গীতের মাধ্যমে তরুণরা বৃদ্ধকে ঠাট্টা করছে। পরের স্তবকে কবি বয়স্কদের তুচ্ছ জিনিসের সাথে তুলনা করেছেন যেমন একটি পুরানো জীর্ণ কোট কাঠিতে ঝুলানো।

এই অবস্থার কোন উন্নতি হয় না যতক্ষণ না তাদের আত্মা চলে যায় এবং সৃষ্টিকর্তার গুণগান গাইতে স্বর্গে না যায়। এমতাবস্থায় কবি শান্তির আশায় বাইজেন্টিয়াম নামক নগরীতে যেতে চান যেখানে পূর্ণাত্মা- হযরত ঈসা [আ.] জন্মগ্রহণ করেছিলেন। কবি তখন শহরের কিছু শিল্পকর্মের বর্ণনা দেন। তারপর কবি তার মনের কিছু ইচ্ছা বর্ণনা করেছেন যেমন আত্মা যখন তার দেহ ছেড়ে চলে যায় তখন সে ফিরে আসতে চায় না কিন্তু সে সোনার ডালে বসে সোনার গায়ক পাখি হতে চায়। তিনি চান সমস্ত আত্মা সেখানে গান করুক। তার গান হবে অতীত, বর্তমান ও ভবিষ্যৎ নিয়ে।

Sailing To Byzantium Theme

The main theme of “Sailing to Byzantium” by William Butler Yeats is the conflict between the transience of human life and the desire for immortality. The poem explores this theme through the speaker’s longing to escape the decay and decay of old age and achieve a state of eternal existence through the creation of art. The poem also presents the idea that the pursuit of immortality requires a rejection of the physical world and a turning towards the spiritual or intellectual realm. Additionally, the poem suggests that art has the power to transcend time and preserve the human spirit beyond the limitations of the physical body. Ultimately, “Sailing to Byzantium” presents a meditation on the human condition and the universal human desire for transcendence and eternal life.

Sailing To Byzantium first stanza analysis

The first stanza of “Sailing to Byzantium” by William Butler Yeats sets the tone for the entire poem and introduces several key themes and motifs.

The stanza begins with the image of the speaker as an old man, “an aged man [who] is but a paltry thing, / A tattered coat upon a stick”. This metaphor suggests that the speaker’s physical body has become frail and insignificant, a mere shell that is worn out and useless. The image of the “tattered coat” also implies a sense of decay and mortality.

The speaker then contrasts his own mortality with the eternal nature of art, describing Byzantium as a place where “the artifice of eternity” is created. This contrast between the transient nature of human life and the timeless quality of the art is a central theme of the poem.

The stanza also introduces the idea that the pursuit of immortality requires a rejection of the physical world and a turning towards the spiritual or intellectual realm. The speaker describes himself as “fastened to a dying animal”, suggesting that his physical body is a burden that must be shed in order to achieve transcendence.

Overall, the first stanza of “Sailing to Byzantium” establishes the poem’s themes of mortality, art, and transcendence, and sets the stage for the speaker’s journey toward eternal life.

Sailing To Byzantium Second stanza analysis

The second stanza of “Sailing to Byzantium” by William Butler Yeats continues the theme of mortality and the desire for transcendence that was introduced in the first stanza. However, in this stanza, the speaker shifts his focus to the natural world and the cycle of life and death that governs it.

The stanza begins with a vivid description of birds in the natural world, which the speaker refers to as “Those dying generations at their song”. This phrase emphasizes the fleeting nature of life and suggests that the bird’s song is a brief and beautiful expression of their existence.

The speaker then contrasts the transient nature of the natural world with the enduring quality of art, describing the “monuments of unageing intellect” that exist in Byzantium. This contrast between the natural world and the world of art highlights the speaker’s desire to transcend his mortal existence and achieve a form of immortality through the creation of lasting works of art.

The stanza ends with the speaker declaring his intention to travel to Byzantium, where he hopes to be transformed and achieve a state of eternal existence. This declaration marks a turning point in the poem, as the speaker moves from contemplating the limitations of mortal life to actively pursuing a path toward transcendence.

Overall, the second stanza of “Sailing to Byzantium” deepens the poem’s exploration of mortality and the desire for transcendence, while also emphasizing the transformative power of art.

Sailing To Byzantium Third stanza analysis

The third stanza of “Sailing to Byzantium” by William Butler Yeats continues the speaker’s contemplation of mortality and the desire for transcendence but shifts its focus to the process of creating art and the role of the artist in achieving immortality.

The stanza begins with the speaker describing the craftsmen in Byzantium who create “gold” and “ivory” works of art that are “hammered” and “carved”. These descriptions emphasize the physical and labor-intensive nature of the artistic process, suggesting that the pursuit of immortality requires not just intellectual or spiritual contemplation but also active creation.

The speaker then contrasts the craftsmen’s creations with the “sensual music” of the natural world, suggesting that the creation of art requires a rejection of the physical and a turning towards the intellectual or spiritual. This contrast also underscores the idea that art has the power to transcend the limitations of the physical world and achieve a lasting form of existence.

Finally, the stanza ends with the speaker describing himself as a “singing-masters” who wishes to be transformed by the art of Byzantium. This declaration reinforces the idea that the pursuit of immortality requires active engagement with the artistic process and a willingness to be transformed by it.

Overall, the third stanza of “Sailing to Byzantium” deepens the poem’s exploration of the relationship between mortality and the desire for transcendence, while also emphasizing the transformative power of art and the role of the artist in achieving immortality.

Sailing To Byzantium fourth stanza analysis

The fourth and final stanza of “Sailing to Byzantium” by William Butler Yeats presents a culmination of the poem’s themes and motifs, as the speaker arrives in Byzantium and experiences a transformative moment of transcendence.

The stanza begins with the speaker describing himself as a “gilded bird” that has been created by the craftsmen of Byzantium. This metaphor emphasizes the speaker’s transformation and suggests that he has achieved a state of eternal existence through the creation of art.

The speaker then describes the world around him as a “holy city” that is filled with the sound of “singing”. This description further reinforces the idea that the pursuit of immortality requires a turning away from the physical world and a turning towards the spiritual or intellectual realm.

Finally, the stanza ends with the speaker declaring that he has “danced…in the golden” and become a part of the eternal art that surrounds him. This declaration marks a moment of transcendence, as the speaker achieves his desire for immortality through the creation and appreciation of art.

Overall, the fourth stanza of “Sailing to Byzantium” brings the poem’s themes and motifs to a satisfying conclusion, as the speaker achieves his desire for transcendence and eternal existence through the transformative power of art.